I've been blogging about grinding after you sign. Lyfe Jennings said he forgot to continue to grind after he got signed, noticed the decline in his record sells, and starting grinding again. I mentioned that a lot of folks in the music business like to use the word grind when they talk about how hard they work in this business and I said most are in fact not grinding as that term is really defined.
Well, here's a real life example of a hip hop artist/songwriter, Lil Wayne, whose real grind paid off.
Then even Diddy asks, is the music business right for you?!
Thanks G. Charles Edwards on thestudioexposed.com for finding and sharing this video!
Thedy B, Attorney/Songwriter
Hits A Million, LLC
hitsamillion.blogspot.com
Showing posts with label sign. Show all posts
Showing posts with label sign. Show all posts
Friday, July 11, 2008
Thursday, July 10, 2008
Grind after you sign Pt. 2
In my last blog, I talked about the importance of grinding after you sign a record deal, a publishing deal, a producer's agreement or deal, etc. So read that blog to understand the context of this one.
JaWar also recently blogged about the fact that artists, songwriters, musicians and producers have to grind after they get signed. He added some interesting layers to this much needed discussion. In particular, he blogged about having a displaced vision and the importance of learning how to then change your focus, goals, dreams, and vision after you get signed to then accomplish something greater, and buying and reading books that will help you do that. To read that blog, click here
I've come to almost dislike hearing people say they are grinding in the music industry. What does grinding really mean? The informal definition of grind as reported by dictionary.com means "to work or study laboriously (often fol. by away): He was grinding away at his algebra." Grind also means to "devote oneself to study or work: grinding for a test; grinding away at housework."
So if you aren't studying, working laboriously, devoting yourself to studying or working, then you are NOT grinding!
Thedy B, Attorney/Songwriting
Hits A Million, LLC
hitsamillion. blogspot.com
JaWar also recently blogged about the fact that artists, songwriters, musicians and producers have to grind after they get signed. He added some interesting layers to this much needed discussion. In particular, he blogged about having a displaced vision and the importance of learning how to then change your focus, goals, dreams, and vision after you get signed to then accomplish something greater, and buying and reading books that will help you do that. To read that blog, click here
I've come to almost dislike hearing people say they are grinding in the music industry. What does grinding really mean? The informal definition of grind as reported by dictionary.com means "to work or study laboriously (often fol. by away): He was grinding away at his algebra." Grind also means to "devote oneself to study or work: grinding for a test; grinding away at housework."
So if you aren't studying, working laboriously, devoting yourself to studying or working, then you are NOT grinding!
Thedy B, Attorney/Songwriting
Hits A Million, LLC
hitsamillion. blogspot.com
Wednesday, July 9, 2008
Grind after you sign!
As I mentioned in an earlier blog, I went to an ASCAP event where Lyfe Jennings was on the panel and he said that he made more money and sold more records when he HAD to grind then when he got signed!
He said that once he got signed, he chilled and didn't sell as much as he had when he was grinding. Now he's back on his grind.
With record labels constantly dropping non-producing or low-producing and even mid-producing artists, artists better be on their grind to stay signed!
At another event, they talked about how Kanye West was signed to a record label and nobody at the record label was pushing his project. What did Kanye West do? He started pushing his project himself! All of a sudden the folks IN THE RECORD LABEL took notice and started getting behind Kanye's project!
So you see from those examples that just being signed to a record label is not the END of the grind; it's just the START! In other words, you must grind after you're signed. And you must grind to stay signed!
So if you know NOW that you really don't want to grind, perhaps you shouldn't don't do music to make a profit. You again can save yourself some money, time, energy, and effort by not trying to get involved in the music business. You again can always just play and write music for the fun of it and make your profession something else!
Thedy B, Attorney/Songwriter
Hits A Million, LLC
hitsamillion.blogspot.com
He said that once he got signed, he chilled and didn't sell as much as he had when he was grinding. Now he's back on his grind.
With record labels constantly dropping non-producing or low-producing and even mid-producing artists, artists better be on their grind to stay signed!
At another event, they talked about how Kanye West was signed to a record label and nobody at the record label was pushing his project. What did Kanye West do? He started pushing his project himself! All of a sudden the folks IN THE RECORD LABEL took notice and started getting behind Kanye's project!
So you see from those examples that just being signed to a record label is not the END of the grind; it's just the START! In other words, you must grind after you're signed. And you must grind to stay signed!
So if you know NOW that you really don't want to grind, perhaps you shouldn't don't do music to make a profit. You again can save yourself some money, time, energy, and effort by not trying to get involved in the music business. You again can always just play and write music for the fun of it and make your profession something else!
Thedy B, Attorney/Songwriter
Hits A Million, LLC
hitsamillion.blogspot.com
Tuesday, April 29, 2008
Sign the Bill of Rights for Songwriters & Composers!
Sign the petition to protect your/our/my rights as music creators! It does not matter which performing rights organization you belong to, you can sign it. If you don't wanna read this whole message, just go to www.ascap.com/rights to sign the petition. This petition about our Bill of Rights will go to Congress to let them know we as music creators have rights that need to be protected. Tell others about www.ascap.com/rights, please!
A CALL TO ACTION - SIGN THE 'BILL OF RIGHTS FOR
SONGWRITERS & COMPOSERS'!
Given the many issues that surround the music industry today, it can be easy for those who are the source of it all - songwriters and composers - to get lost in the shuffle.
That's why ASCAP is calling on music creators to offer their support of a critical new advocacy initiative.
Earlier this month, ASCAP launched 'A Bill of Rights for Songwriters and Composers,' designed to remind the public, members of the music industry and U.S. legislators of the central role and rights of those who conceive and create music.
This important awareness-building initiative centers around 10 core principles, including "We have the right to be compensated for the use of our creative works, and share in the revenues that they generate" and "We have the right to license our works and control the ways in which they are used." The full text of the Bill of Rights (included at the end of this article) is posted to the ASCAP website - along with an online petition where music creators can electronically sign to demonstrate their support.
The rights laid out in the Bill, all of which are already inherent in the act of music creation and protected by U.S. copyright law, are increasingly under threat as competing interests argue over the future of the business of music - and as growing numbers of individuals bypass payment altogether to illegally share music online.
Said ASCAP President and Chairman and Academy Award-winning lyricist, Marilyn Bergman, "Our goal is to remind lawmakers, the general public and music creators themselves of the rights that are inherent in their art. We simply cannot allow the original source of all music to be forgotten. Our rights must be considered in all conversations about the future of the music industry and the future of copyright law."
Over 1,000 Signatures and Counting
The 'Bill of Rights for Songwriters and Composers' debuted during ASCAP "I Create Music" Week at the 25th Annual Pop Music Awards held on April 9, 2008. It was then formally introduced to attendees of the third annual ASCAP "I Create Music" EXPO, held in Los Angeles from April 10-12.
In just the first few days, more than 500 signatures were collected, including such recognizable names as Lionel Richie, Stacy "Fergie" Ferguson, Justin Timberlake, Desmond Child, Jackson Browne, Steve Miller, Marilyn Bergman, Alan Bergman, Jerry Leiber, Mike Stoller, Chamillionaire, Keri Hilson, Johnta Austin and John Rzeznik.
Since that time, other legends have added their names and their support - including Tony Bennett, Quincy Jones, Paul Williams and Hal David - as well as hundreds of additional signatures online. Currently at over 1,000 signatures and counting, the Bill of Rights for Songwriters and Composers is gaining serious momentum.
As part of this initiative, ASCAP also wrote a perspective piece on the relevance and importance of music copyright protection, titled "Music Copyright in the Digital Age: A Position Paper." This paper offers straight-forward explanations of how copyright law impacts music creators, and may be viewed and downloaded from ASCAP's website.
Sign the Bill - Spread the Word
"The signatures that we collect on this Bill of Rights for Songwriters and Composers will be shared with key legislators in Washington, as well as numerous other leaders both inside and outside the music industry," said ASCAP CEO John A. LoFrumento. "Now is the time to ensure that everyone who has a stake in determining the future of music, both as an art and as an industry, recognizes the importance of protecting creators' rights."
Those who wish to add their support to the Bill can sign it electronically.
ASCAP encourages its members to help spread the word! Share the URL www.ascap.com/rights and encourage everyone you know to sign their support!
A BILL OF RIGHTS
FOR SONGWRITERS AND COMPOSERS
Created by ASCAP, the American Society of Composers, Authors and Publishers
Just as citizens of a nation must be educated about their rights to ensure that they are protected and upheld, so too must those who compose words and music know the rights that support their own acts of creation. Without these rights, which directly emanate from the U.S. Constitution, many who dream of focusing their talents and energies on music creation would be economically unable to do so - an outcome that would diminish artistic expression today and for future generations.
At this time, when so many forces are seeking to diminish copyright protections and devalue artistic expression, this Bill of Rights for Songwriters and Composers looks to clarify the entitlements that every music creator enjoys.
We have the right to be compensated for the use of our creative works, and share in the revenues that they generate.
We have the right to license our works and control the ways in which they are used.
We have the right to withhold permission for uses of our works on artistic, economic or philosophical grounds.
We have the right to protect our creative works to the fullest extent of the law from all forms of piracy, theft and unauthorized use, which deprive us of our right to earn a living based on our creativity.
We have the right to choose when and where our creative works may be used for free.
We have the right to develop, document and distribute our works through new media channels - while retaining the right to a share in all associated profits.
We have the right to choose the organizations we want to represent us and to join our voices together to protect our rights and negotiate for the value of our music.
We have the right to earn compensation from all types of "performances," including direct, live renditions as well as indirect recordings, broadcasts, digital streams and more.
We have the right to decline participation in business models that require us to relinquish all or part of our creative rights - or which do not respect our right to be compensated for our work.
We have the right to advocate for strong laws protecting our creative works, and demand that our government vigorously uphold and protect our rights.
A CALL TO ACTION - SIGN THE 'BILL OF RIGHTS FOR
SONGWRITERS & COMPOSERS'!
Given the many issues that surround the music industry today, it can be easy for those who are the source of it all - songwriters and composers - to get lost in the shuffle.
That's why ASCAP is calling on music creators to offer their support of a critical new advocacy initiative.
Earlier this month, ASCAP launched 'A Bill of Rights for Songwriters and Composers,' designed to remind the public, members of the music industry and U.S. legislators of the central role and rights of those who conceive and create music.
This important awareness-building initiative centers around 10 core principles, including "We have the right to be compensated for the use of our creative works, and share in the revenues that they generate" and "We have the right to license our works and control the ways in which they are used." The full text of the Bill of Rights (included at the end of this article) is posted to the ASCAP website - along with an online petition where music creators can electronically sign to demonstrate their support.
The rights laid out in the Bill, all of which are already inherent in the act of music creation and protected by U.S. copyright law, are increasingly under threat as competing interests argue over the future of the business of music - and as growing numbers of individuals bypass payment altogether to illegally share music online.
Said ASCAP President and Chairman and Academy Award-winning lyricist, Marilyn Bergman, "Our goal is to remind lawmakers, the general public and music creators themselves of the rights that are inherent in their art. We simply cannot allow the original source of all music to be forgotten. Our rights must be considered in all conversations about the future of the music industry and the future of copyright law."
Over 1,000 Signatures and Counting
The 'Bill of Rights for Songwriters and Composers' debuted during ASCAP "I Create Music" Week at the 25th Annual Pop Music Awards held on April 9, 2008. It was then formally introduced to attendees of the third annual ASCAP "I Create Music" EXPO, held in Los Angeles from April 10-12.
In just the first few days, more than 500 signatures were collected, including such recognizable names as Lionel Richie, Stacy "Fergie" Ferguson, Justin Timberlake, Desmond Child, Jackson Browne, Steve Miller, Marilyn Bergman, Alan Bergman, Jerry Leiber, Mike Stoller, Chamillionaire, Keri Hilson, Johnta Austin and John Rzeznik.
Since that time, other legends have added their names and their support - including Tony Bennett, Quincy Jones, Paul Williams and Hal David - as well as hundreds of additional signatures online. Currently at over 1,000 signatures and counting, the Bill of Rights for Songwriters and Composers is gaining serious momentum.
As part of this initiative, ASCAP also wrote a perspective piece on the relevance and importance of music copyright protection, titled "Music Copyright in the Digital Age: A Position Paper." This paper offers straight-forward explanations of how copyright law impacts music creators, and may be viewed and downloaded from ASCAP's website.
Sign the Bill - Spread the Word
"The signatures that we collect on this Bill of Rights for Songwriters and Composers will be shared with key legislators in Washington, as well as numerous other leaders both inside and outside the music industry," said ASCAP CEO John A. LoFrumento. "Now is the time to ensure that everyone who has a stake in determining the future of music, both as an art and as an industry, recognizes the importance of protecting creators' rights."
Those who wish to add their support to the Bill can sign it electronically.
ASCAP encourages its members to help spread the word! Share the URL www.ascap.com/rights and encourage everyone you know to sign their support!
A BILL OF RIGHTS
FOR SONGWRITERS AND COMPOSERS
Created by ASCAP, the American Society of Composers, Authors and Publishers
Just as citizens of a nation must be educated about their rights to ensure that they are protected and upheld, so too must those who compose words and music know the rights that support their own acts of creation. Without these rights, which directly emanate from the U.S. Constitution, many who dream of focusing their talents and energies on music creation would be economically unable to do so - an outcome that would diminish artistic expression today and for future generations.
At this time, when so many forces are seeking to diminish copyright protections and devalue artistic expression, this Bill of Rights for Songwriters and Composers looks to clarify the entitlements that every music creator enjoys.
We have the right to be compensated for the use of our creative works, and share in the revenues that they generate.
We have the right to license our works and control the ways in which they are used.
We have the right to withhold permission for uses of our works on artistic, economic or philosophical grounds.
We have the right to protect our creative works to the fullest extent of the law from all forms of piracy, theft and unauthorized use, which deprive us of our right to earn a living based on our creativity.
We have the right to choose when and where our creative works may be used for free.
We have the right to develop, document and distribute our works through new media channels - while retaining the right to a share in all associated profits.
We have the right to choose the organizations we want to represent us and to join our voices together to protect our rights and negotiate for the value of our music.
We have the right to earn compensation from all types of "performances," including direct, live renditions as well as indirect recordings, broadcasts, digital streams and more.
We have the right to decline participation in business models that require us to relinquish all or part of our creative rights - or which do not respect our right to be compensated for our work.
We have the right to advocate for strong laws protecting our creative works, and demand that our government vigorously uphold and protect our rights.
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